Ballerinas adjusting their tutus - Edgar Degas
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In his early years in the 1860s, Edgar Degas made the Paris Opera the main subject of his work. He explored its various moments and spaces: the regular training sessions, the backstage and the stage. Here, the artist masters elliptical shortcuts and the practice of close-ups. He knows how to synthesize a series of movements, suggested by a drawing more and more cursive which confers to the painting a surprising expressive value. Enjoying ballet, Degas painted several pictures of dancers, such as The blue dancers and Dancers in pink.
Want to buy another Edgar Degas painting? Discover all our reproductions of this artist.
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L'œuvre en bref
In his early years in the 1860s, Edgar Degas made the Paris Opera the main subject of his work. He explored its various moments and spaces: the regular training sessions, the backstage and the stage. Here, the artist masters elliptical shortcuts and the practice of close-ups. He knows how to synthesize a series of movements, suggested by a drawing more and more cursive which confers to the painting a surprising expressive value. Enjoying ballet, Degas painted several pictures of dancers, such as The blue dancers and Dancers in pink.
Want to buy another Edgar Degas painting? Discover all our reproductions of this artist.
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Reproduction of Ballerinas adjusting their tutus by Edgar Degas
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